Free modular delay/filter + Live 12.4 tricks
trax.house
SIGNAL 1
2026-07-11
for people who make house
   
Tonight’s standout: ShinRonin is back as a free modular delay/filter. It’s gritty, flexible, and begs for a send on your stab bus. Plus: the E16 just learned to loop MIDI parameter moves, and Live 12.4’s effects got real upgrades you can hear fast.
📅 Today · Time-Sensitive
StereoVault stereo width tool
Per‑band widening, image rotate, and mono‑check in one spot — handy to spread pads or guitars while keeping subs straight, and cleaner than Haas tricks.
published today · 8 min read · claim →
◢ Learn
 
Live 12.4: Erosion goes deeper, Delay gets weirder, Chorus gets options
Erosion now blends sine/noise and balances stereo with much lower frequency reach, Delay adds new LFO shapes with a Morph control, and Chorus gets tap/time choices — quick tone moves that open up movement without extra devices.
2 min read · read →
25 Live browser/mixer tricks you probably aren’t using
Faster sessions: set scene tempos and signatures, flip to split‑stereo panning, and clean up the browser so you stop hunting and start arranging.
1 min read · read →
◢ Free & Gear
 
ShinRonin returns: modular delay/filter with tape/digital flavors
Creative delay and filtering in one patchable box means dubby stabs, evolving pads, and drum buss movement without stacking five plugins — modular routing and morphing filters do the heavy lifting.
2 min read · grab it →
E16 firmware 1.0 adds a real MIDI parameter looper ($499 / 449€)
You can record knob moves into loops, morph snapshots, and group encoders — perfect for hands-on CC modulation of your synths and FX without touching the DAW; the Lua SysEx tools are a bonus if you like custom maps.
5 min read · grab it →
◢ The Word
 
Ableton Extensions: right‑click scripts that edit your Set
Heads‑up: Suite 12.4.5 beta only — not in Standard/Intro/Lite. If you’re in, you can batch‑tweak clips and parameters, transform MIDI, or generate patterns from JavaScript without building a Max device.
4 min read · read →
📊 The Charts
 
Glasgow Underground is charting on both Beatport and Traxsource
Glasgow Underground appears on both stores' charts this week — 9 tracks on Beatport and 11 tracks on Traxsource (Nu Disco / Indie Dance, Melodic House & Techno, Tech House).
Producers: Two independent store charts agreeing on one label is stronger evidence than either alone — Glasgow Underground's current output is worth studying.
DJs: Cross-store consensus travels: Glasgow Underground's releases are ranking with two different store audiences in the same week.
Producer radar: Brobot Records (Jackin House)
Brobot Records charted 4 Jackin House tracks from 4 different artists this week on Traxsource (also charting Jackin House on Beatport) — a broad roster rather than a single act.
Producers: If you make Jackin House, Brobot Records is worth studying — it is active in this lane, with 4 different artists charting in one week.
DJs: Labels charting many artists at once surface new names first — Brobot Records's current roster reads as a scouting list.
Producer radar: Robsoul Recordings (Jackin House)
Robsoul Recordings charted 6 Jackin House tracks from 6 different artists this week on Traxsource (also charting Jackin House on Beatport) — a broad roster rather than a single act.
Producers: If you make Jackin House, Robsoul Recordings is worth studying — it is active in this lane, with 6 different artists charting in one week.
DJs: Labels charting many artists at once surface new names first — Robsoul Recordings's current roster reads as a scouting list.
Producer radar: Large Music (Deep House)
Large Music charted 4 Deep House tracks from 4 different artists this week on Traxsource — a broad roster rather than a single act.
Producers: If you make Deep House, Large Music is worth studying — it is active in this lane, with 4 different artists charting in one week.
DJs: Labels charting many artists at once surface new names first — Large Music's current roster reads as a scouting list.
🎯 Tonight's Move
Stop the rolling-sub drone: shorten notes + 30 ms release
Your rolling bass stops smearing into a sub drone so the low band grooves and the kick stays clear.
  1. 1. Duplicate your upper-bass MIDI to a new track; load a simple sine on a stock synth, playing the fundamental only.
  2. 2. Solo the lows on the master or the sub bus so you’re hearing just the sub band.
  3. 3. Shorten the sub’s MIDI note lengths so there’s space between hits; stop when the lows read as rhythm, not a drone.
  4. 4. If you hear clicks on low keys (E, E♭, D), lengthen the amp-envelope release—tracks that low might need as much as 30 ms.
  5. 5. Set up sidechain from the kick to the sub with your stock compressor so the kick leads.
  6. 6. Optionally, try a pluck-shaped decay on the sub and watch the envelope position (Vital/Serum show this); expect some lost weight and louder transient.
Stock path: .
Why it works: Space in the sub band restores temporal cues our ears need for groove, a release long enough for one cycle avoids clicks, and sidechain keeps kick and sub from summing into a blob.
From the archive: Ableton Live Extensions Explained: Installation, Community Tools, and Workflow Examples — “…And today I want to talk a little bit about Ableton Live…”
🔮 Producer Horoscope (for fun) — Your snare will win the loudness war; your hats will file an appeal.
Alright, back to the loop — print something you’ll still like tomorrow.

one of these lands every morning, for working house producers with a track already half-finished — free:

covered in this issue: audio damage shinronin · ableton live

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