116 issues · 10 charts
every issue, technique and chart
◢ issues
november 2026
1 issueoctober 2026
31 issues- 2026-10-31Wreck the tops, keep the sub clean
- 2026-10-30The BCCO rumble is MIDI and delay, not reverb
- 2026-10-29ODNP turns one droplet sample into a whole track
- 2026-10-28The Lately Bass is a TX81Z patch — rebuild it subtractively
- 2026-10-27Kassian's container studio and the risk rule
- 2026-10-26Benza's trick for a drop's empty gap
- 2026-10-25A remix on two chords and a plucky Serum patch
- 2026-10-24Why your hoover patch fights the vocal—and the fix
- 2026-10-23Ableton's sidechain: beyond the compressor pump
- 2026-10-22Kettama's chord stabs start from the sample
- 2026-10-21Lock Your Kick Transient Across Every Note
- 2026-10-20The vocal chain that makes a one-shot swirl around your head
- 2026-10-19SideKick's update tightens transients before the compressor
- 2026-10-18Producing house with the plugins that shipped with Cubase in the '90s
- 2026-10-17Subtraction, not risers — a buildup that earns the drop
- 2026-10-16Why your minimal tech house loop sounds cluttered
- 2026-10-15The hidden setting that cuts Ableton's Wavetable CPU by 25%
- 2026-10-14Mau P's drum splitter: separate kick, snare, hats, then swap
- 2026-10-13A kick, a tom, a hi-hat, and one quarter note
- 2026-10-12When piano and vocal collide: Kooldrink's fix
- 2026-10-11Serum 2's one-click swing for UK garage chords
- 2026-10-10Why your bassline waits on the drums
- 2026-10-09Start your next melody with a clap, not a note
- 2026-10-08Stop copy-pasting your first drop
- 2026-10-07Kick not sitting? Swap it before you EQ
- 2026-10-06Your phrase marker doesn't have to be a crash
- 2026-10-05The 3-layer low end that reads as one sound
- 2026-10-04Poly chords from mismatched samples in one key
- 2026-10-03The QX1 trick that made house piano breathe
- 2026-10-02Pull the kick's beater out with Multiband Dynamics
- 2026-10-01LFOs in Live 12’s Mod mode: finally how you’d expect
september 2026
30 issues- 2026-09-30Record the take, then subtract the arrangement
- 2026-09-29Your drum bounce is a fill waiting to happen
- 2026-09-28DIVA pads that move themselves through breakdowns
- 2026-09-27Per-note breath turns MPE into a physical pipe organ
- 2026-09-26How Ninajirachi built that tearing lead
- 2026-09-25Build your own Serum 2 wavetable from scratch
- 2026-09-24The reverb routing trick that turns chords into a dub wash
- 2026-09-23Ninajirachi’s bass trick: less OTT, more Redux and FM warps
- 2026-09-22An LCD Soundsystem drone out of one sawtooth and some EQ
- 2026-09-21Vhyce label release: iPhone vocal, toy keys, zero sends
- 2026-09-20The sidechain filter trick that opens up your drum bus
- 2026-09-19Why KVNDRA reaches for a clipper, not a limiter
- 2026-09-18A single note → infinite melodies (Logic trick)
- 2026-09-17Serum 2's filter tab, a saw wave, and the routing step you skip
- 2026-09-16Traveler into Liminal Space 2: cinematic pads tonight
- 2026-09-15The bass move hiding in your convolution reverb
- 2026-09-14The Tape Delay Hiding in Your Ableton Reverb
- 2026-09-13Breaking out of the loop with one repeatable template
- 2026-09-12Turn a held chord into a groove with one automation lane
- 2026-09-11Morph between any sounds with this M4L fader and LFO trick
- 2026-09-10Two sounds sound like one blob? Stop cutting—use harmonics
- 2026-09-09Steal a JV-1080 layering trick for Serum 2
- 2026-09-08The Supernova II sound engine, now in a plugin
- 2026-09-07Thin vocal? This free channel strip's gate expander trick
- 2026-09-06KETTAMA's chords are tuned 40 cents flat
- 2026-09-05Auto Shift's hidden LFO mode for granular drift
- 2026-09-04Bass definition lives in the mud — 5 mixers show where
- 2026-09-03The bassline trick that starts with your chords
- 2026-09-02SOSA’s 30-minute track-building workflow for funky house
- 2026-09-01Why your drops hit flat — and the Serum 2 fix
august 2026
31 issues- 2026-08-31Ninajirachi's glitch trick: one upbeat eighth note
- 2026-08-30Analog drum crush: Smack plug-in walkthrough
- 2026-08-29Bounce a group track into drop stutter chops
- 2026-08-28Build 10 Essential House Synth Patches in Serum
- 2026-08-27Diva plucks that land like an Anjunadeep intro
- 2026-08-26Brunello's drum isolation trick in Live
- 2026-08-25PSP 2445 reverb at its lowest price yet
- 2026-08-24The low-end automation trick that tightens a drop
- 2026-08-23PULSEMELT ducks its own tail and degrades it—free VST3
- 2026-08-22Bouncit's free delay ducks repeats so it doesn't fight the mix
- 2026-08-21Linear phase EQ and where your parallel bus falls apart
- 2026-08-20Feuer paints frequency sustain onto drum loops
- 2026-08-19Turning an irregular pattern into the grid
- 2026-08-18Turn any sample into a dying tape machine
- 2026-08-17Diva pluck walkthrough, a free clipper, and Ableton speed moves
- 2026-08-16Bassmaker’s hidden pages + a free 24‑band EQ
- 2026-08-15Roar as comb delay, Serum 2 arp, blind bass
- 2026-08-14Cut hi-hat highs, then boost the shelf
- 2026-08-13Serum 2 sci-fi horns and an Ableton rave template
- 2026-08-12Operator can do your kicks—here's the patch
- 2026-08-11Reverb before compression (and why it matters)
- 2026-08-10Low shelves, not high-passes
- 2026-08-09Your phase meter isn’t broken, it’s just 90°
- 2026-08-08Mixing aggressively: it's not about energy
- 2026-08-07Cleaner low end, dirtier tops, and a free saturator
- 2026-08-06half a dB: the mix move nobody talks about
- 2026-08-05Your fader is a better EQ than your EQ
- 2026-08-04Your vocal bus should be mixed first – here's how
- 2026-08-03one more night with Glitch2, now free
- 2026-08-02Two free synths & SOS's 30-year vault
- 2026-08-01A free reverb that ducks itself
july 2026
23 issues- 2026-07-31Free dusty 522 drum samples & an FM bass tuning trick
- 2026-07-30ported slides and aggressive wubs in ANA 2
- 2026-07-29Ear candy from foley (and a free generative arp)
- 2026-07-28A Diva lead that breathes — plus a free Spotify checker
- 2026-07-27iZotope VEA freebie + a K3 emulation teaser
- 2026-07-26Glitch perc from stock Live (and the random button)
- 2026-07-25Sidechain Your Kick to Shift Pitch
- 2026-07-24The kick trick that actually works
- 2026-07-23Chris Lorenzo's production tricks, decoded
- 2026-07-22A bad pitch shifter on your master bus? Yes, Loukeman says.
- 2026-07-21Reverse-engineering a Chris Lake bass in Diva
- 2026-07-20Ableton Link Audio: 3ms latency over USB-C
- 2026-07-19that shaperbox call/response trick is wild
- 2026-07-18Resonant reverb that becomes a note
- 2026-07-17Print your reverb 100% wet and treat it like audio
- 2026-07-16Audiojack’s template is here (and it’s all stock Ableton)
- 2026-07-15Build the Keinemusik lead in Serum
- 2026-07-14Logic’s sync granular, a free 909 kick, and ‘Your Love’ in the Library
- 2026-07-13Strip silence in Ableton without rendering? Finally.
- 2026-07-12Tribal drums, swing secrets, and a free beat mangler
- 2026-07-11Free modular delay/filter + Live 12.4 tricks
- 2026-07-10FM stabs in Operator, plus Thump One’s wild beta
- 2026-07-09Fix flat loops: volume moves + one‑sample Absynth
◢ techniques
all 40 on one page →- 2026-11-01Your track gains a sustained, splashy phrase marker without a crash sample, made by drowning a 909 hi-hat in long reverb and heavy multiband compression.Phrase Marker from 909 Hi-hat, Reverb & OTT
- 2026-10-29Your bright pattern gains a dark, underwater twin that fills the low end without new source material.Dark, underwater layer from any bright sample pattern
- 2026-10-28Your bass gets the Lately-style top click and a solid sub underneath, using just a saw, a low-pass filter, and a sine oscillator.Saw + 4-pole low-pass + sine sub = Lately-style pluck (no FM)
- 2026-10-27Your acoustic samples turn into a breathy, detuned granular bed that swells and contracts with each hit.Envelope-driven Grain Delay for Sad Granular Ambience
- 2026-10-26Your vocal group gains stereo width and a sense of front-to-back depth without touching individual tracks.Dual‑axis vocals: mid‑side width and reverb depth on the bus
- 2026-10-23Your loops play seamlessly, zero clicks or pops, using only your sampler’s crossfade control.Kill loop clicks with crossfade (any sampler)
- 2026-10-22Your Neon bass stays dark and consistent on plucks — either by dragging attack past note length or dropping sustain to the floor.Neon’s Hardwired Filter Envelope Workaround for Short Bass Lines
- 2026-10-21Your chords sound like a rave stab progression, not a piano roll — instant Kettama energy without complex MIDI.Spread voicing root-fifth-third-fifth and lock top notes for a Kettama stab progression
- 2026-10-20Your drums gain a tom fill that drops into an isolated break at the end of an 8-bar phrase.House Tom-Riff Drop Using Ableton’s Stock 707 and 727 Kits
- 2026-10-19Your lead reads as two stacked synths — a plucky filtered layer underneath a brighter unison layer — instead of one static patch.Two-Synth Lead from One Patch with an 18 dB Bypass Filter
- 2026-10-18Your dull kick cuts through the mix with its own click, no hi-hat layers.Kick beater expansion with Ableton Multiband Dynamics
- 2026-10-16Your drum group gets more bounce and bite because the compressor reacts to the mids and highs while the kick’s sub stays out of the way.Kick‑ignoring parallel smash for drum bounce
- 2026-10-14Your drum bus gains a textured break layer that locks tight with the grid and stays out of the kick’s way.Grid-locked break layer with Beats warp and a high-pass
- 2026-10-13Your silent gaps disappear instantly without cutting manually — no new audio files created.Strip silence from vocal clips at -60 dB with Strip Silence PT
- 2026-10-12Your synth pads swell in sync with the groove, turning a flat sustain into a living, breathing texture.Breathe life into static pads with VolumeShaper’s ramp-up and half-note rate
- 2026-10-11Your rolling bass sub regains rhythmic definition without losing low‑end weight.Shorten Sub Notes to Give a Rolling Bassline Definition
- 2026-10-09Your pan flute and its synthetic layer sit locked together without the attack jumping forward.Glue a Sampled Flute and Its Synthetic Layer with One Compressor
- 2026-10-05Your pitch wheel sweeps land exactly one octave up or down, making each bend feel like a deliberate pitch‑shift rather than an atonal wobble.Octave‑locked pitch bends from Serum 2’s Bend control
- 2026-10-04Your track gets dense, evolving stab stacks by transposing samples labelled with different keys into one shared key, slicing them to quarter-note MIDI chops, and triggering the best slices over your beat.Ketma-Style Poly Chords from Any Key-Tagged Samples
- 2026-10-01Your static bassline gets gently evolving, semi-random filter sweeps that break repetition without automation.Stray-LFO Filter Movement for Static Basslines
- 2026-09-30Your breakdown gets a lush, undulating pad that sits under the mix, with duo unison detune, dotted LFO wobble, and pillowy sustain.Duo-Unison Wobble Pad for Breakdowns
- 2026-09-29You get a 5:30 DJ arrangement of drums only, with contour and one break, ready to jam performance takes over.Build a 5:30 DJ arrangement from your drum loop with subtractive copy-pasting
- 2026-09-27Your 16th-note arp gets a warm Moog-like tone that opens and shifts as you press harder.Shark-tooth Drift arp that opens with pad pressure
- 2026-09-26Your chord stabs gain a rhythmic digital edge that locks to the groove.Downsample Grit That Pumps with Your Chords
- 2026-09-23Your chord progression gains a deeper, moodier voicing that stays harmonically correct.The Low-Octave 7th Voicing for Instant LoFi House Chords
- 2026-09-21Your main bass gains a wide, crunchy low-mid layer where Redux provides bite, letting you keep OTT subtle on that layer.Two-Layer Wide Bass with Redux Instead of More OTT
- 2026-09-17Your kick cleans up below 40 Hz, gets roughly 6 dB of compression control, and pokes through a deep bass with a 120 Hz knock instead of boom.SSL-style kick chain: clean low end, 6 dB squeeze, 120 Hz knock
- 2026-09-16Your bass gains a layer of noise that sits exactly in the frequency pocket you choose.Add focused grit to a bass with Erosion’s filter
- 2026-09-03Your bass line gets a classic UKG rhythmic pulse shaped solely by volume modulation, not by sweeping the filter.Volume-only UKG bass pump (no filter ducking)
- 2026-09-02Your drop hits with authority because the break stripped back elements, high end, width, and low‑end rumble.Sparse, Dark, Narrow Break for a Full Drop
- 2026-09-01Your perc loop gets tight, skipping stutters that sound like a broken CD player but stay musical.Glitchy percussion stutters with Beat Repeat
- 2026-08-31Your track gains a separate reverb audio layer you can edit like a sample — chop, stretch, pitch shift, reverse, or move it before the dry signal for rhythmic and textural surprises.Print your whole wet reverb as audio and treat it like a sample
- 2026-08-30Your hi-hats lock into a tight, focused pocket — no stray ghost notes or velocity spikes.Conform hi-hat velocities to 80–105 in one MIDI Transform pass
- 2026-08-19Your kick hits only on the pattern’s strongest notes, creating an accented pulse that grooves inside your irregular rhythm.Accent‑driven kick from an irregular pattern’s own grid
- 2026-08-15Your vocal chops follow a single melodic line without sounding stiff because the sampler retunes them dynamically as the source pitch bends.Play Vocal Loops in Tune Using the Dynamic Pitch Map, Bitwig-Only
- 2026-07-29Your pluck and bass layers stay distinct because each filter's cutoff sits in its own band — slope only decides how abrupt the handover is.12+24 dB/oct Pluck-Bass Layering for Clean Low-End Separation
- 2026-07-19Your track finds four different energies at one unchanged tempo, from the kick pattern alone.Four BPM Pockets Using Only the Kick Pattern You Already Have
- 2026-07-17A dense, slow-shifting grain cloud that adds atmospheric depth behind your house chords or vocal chop.Granular texture pad from any sample using Serum 2’s Granular mode
- 2026-07-14Your selected vocal clips lose their silent gaps instantly, in-place, with no new audio files created.Strip silence from vocal clips with Strip Silence PT (Live 12.4.5+)
- 2026-07-09Your rolling bass keeps weight but reads as rhythmic hits instead of a constant sub drone.Rolling-sub fix: note gaps + up-to-30 ms release
◢ charts
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